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What Is Aperture? (And Yes, F-Stop Is the Same Thing)

Aperture is the opening in your lens. F-stop is just that opening written as a ratio. Here is why a smaller number means a bigger opening, and what it does to your photos.

Updated Jun 28, 20263 min readResearch backed
A camera lens showing the aperture blades, a subject sharp against a creamy blurred background

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One of the most common beginner questions is whether aperture and f-stop are different things. They are not. Aperture is the physical opening inside the lens. The f-stop is that opening expressed as a ratio of the lens focal length to the opening's diameter. That ratio is why the numbers feel backwards.

Why a smaller number means more light

Because the f-number is a ratio with the opening on the bottom, a bigger opening produces a smaller number. So f/1.8 is a wide opening that lets in a lot of light, and f/16 is a narrow opening that lets in much less. It feels upside down until you remember it is a fraction.

Depth of field: the blurry background

Aperture also controls depth of field, which is how much of the scene is in sharp focus front to back. A wide aperture (f/1.8) gives a shallow depth of field: your subject is sharp and the background melts away. A narrow aperture (f/11) keeps more of the scene sharp, which is what you want for a landscape or a real estate interior.

A portrait at a wide aperture, the eyes sharp and the background dissolved into soft bokeh
Wide aperture (around f/1.8): the subject is sharp and the background melts into soft blur.
A landscape at a narrow aperture, sharp from foreground to distant hills
Narrow aperture (around f/16): the whole scene stays sharp, front to back.

Fast versus slow lenses

A "fast" lens is one with a wide maximum aperture like f/1.4 or f/2.8. It can shoot in less light and blur backgrounds more. A "slow" lens tops out around f/4 or f/5.6. Fast lenses cost more and weigh more, which is part of the what lens should you buy decision.

The f-number scale

The standard stops are f/1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16. Each step halves the light of the one before it. That matters because it connects directly to the exposure triangle: close down one stop of aperture and you can open up one stop of shutter speed to match.

What aperture should I use for portraits?

A wide aperture like f/1.8 to f/2.8 blurs the background and makes your subject stand out. Just watch focus: at f/1.8 the sharp zone is thin, so focus on the eyes.

What aperture is sharpest?

Most lenses are sharpest a couple of stops down from wide open, often around f/5.6 to f/8. Very narrow apertures like f/16 lose a little sharpness to diffraction.

Sharper shots, less noise

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Researched, not personally tested: picks come from specs, verified-owner reviews, and expert sources, scored into the Aperture Score. As an Amazon Associate I earn from qualifying purchases. We may earn a commission from links here, at no extra cost to you. How we research →